I haven’t written in here for some time, but this is pretty much geared toward indy comic book creators who are toiling away trying to use the old systems of getting their works out there and no one knows who they are or cares about their work.
I’m going to use APE Entertainment as an example here, just because the link is handy, and this really could relate to anyone if they have their creative shiit together. In fact, it’s torturous for me as a creator with several ideas I’d LOVE to do and try this plan out with, but it’s just so happened that it’s already working for me in a way with my Yirmumah daily comic strip— but from what I’ve learned, I can see how this plan could benefit other independent comics– Let’s also, for humor’s sake keep in mind a 5 year plan for now, everything I write is within a 5 year plan– I’ll probably only write in year one here for now… but let’s be honest here, if you’re not willing to dedicate a year to a project, it’s probably not worth your time and will just piddle out anyway. But if there’s an idea out there you have that gives you JUICE– BAM follow this..
Let’s look at their Justice City Chronicles as an example I’ll use in what I’m talking about — http://www.lightningage.com/jcc/index.html
Right now, many indy creators have nice looking websites that aren’t really more than anything but a preview of thier print book and previews. That’s fine, of course if you’re only focused on going through Diamond— which in my opionion is an outdated system for distribution. Here’s what I would do if say I was working on something like Justice City Chronicles– (and please, this is just an example, I don’t know anything about it really, but it really would work with anything that’s well thought out)
- Start a regular webcomic series online for free. Make it Monday through Friday if you can, but M-W-F if at all possible. Weekly comics don’t do too well and seem to have trouble gaining a regular readership. It might be hard to afford someone to draw this daily for you, but using online ad money or affiliate programs to pay your creative team is a great possibility if you all can form a regular readership. Look at this way— I know a guy who does a webcomic, and gets good traffic because he updates every day. He makes about a grand in GoogleAds money alone. If that was split up between a creative team, or heck, even given over to a one man army show, it would end up being a lot more than any indy artist is making on a REGULAR basis.. not to mention, that once the stories are up online, they are there practically forever…
- Use the running comic on your site to flesh out your world and characters, minor plots and twists that can come up later. Build your universe this way and let the readers in for free. Give your daily updates, and also a nice Wordpress blog will totally bring in readers from ALL over the world thanks to RSS and tag tracking capabilities… say for instance, in my Friday comic, I made fun of Scott Stapp and Kid ROck’s new pron video, and already I’ve received a TON of traffic for searches on that topic, especially since it’s topical right now in pop-culture… now, this wouldnt work for an adventure story or comic book world, BUT– this also goes for general topics that might come up in your story for that day– I mean, I wrote a gag about Qtips last month, and if you search “QTIPS are bad for your ears”, “Qtips bad” or anything about qtips being bad in your ears, my site comes up in search engines at the top of the lists. Nifty eh??? I mean, I don’t know how this would help an adventure comic, but it definitly could. Imagine places or locations in your comic that you might bring up– you’d definitly get search engine traffic from those topics and various plots in your own stories without even trying…… think about that right now, as all you may have is a little info site with broken links and info about your book that MIGHT come out…MAYBE. Heh.
- As the regular comic is unfolding online as your “flagship” and building an audience– work on the COMIC BOOK. You can either collect what you’re doing online, which works fine believe it or not, OR If I were you, I’d take the main characters from your webcomic and make special comicbooks or plots or an ongoing story that can weave in and out from the online webcomic and reference back and forth, but each one could stand on their own. Could you imagine if XMEN would have been a webcomic when it started– then suddenly they bring out WOLVERINE #1 in print form… BAM.. to the moon. –
- Know that it takes time. You couldnt pop out a regular ongoing webcomic for a month or maybe even three and then expect to pop out a book and have it go gangbusters— BUT…. if you’re smart and creative, you can find some really fun ways to interact with your audience while you’re making the online comic– perhaps make prints available or miniposters, limited and signed– I mean, heck, it costs like 50cents for a 11×17 poster at comixpress.com, and I think if you wanted something at Samsclub or Costco would print you photo quality prints from a PDF 12×18 for 1.49…. You could totally sell those as you go for 5 bucks.. maybe more?– who knows with that. The point is to not worry about money starting out. But it is nice to have things going with your site to make a little steady income.
- Let’s say– JUSTICE CITY CHRONICLES is online for 6 months as a daily feature, 5 days a week in an adventure style plot pacing, but also some days it could be like character cards, or location specs for buildings, or specs for vehicles or weapons. I mean, you can REALLY build up this world that your characters and stories are in– then while you go on the daily, you work on an ISSUE one book to come out at the 6 month mark.
- Also, during whatever period you’re online and doing your thing, it’s important to advertise… this can be done pretty easily and cheaply. Many sites, including mine, offer sponsor spots at different prices.
I’m willing to wager here, that something of a high quality, it doesn’t really matter what he story is or setting as long as it’s of a high quality (because there’s an audience for everything online) — if you gave it a year online without missing updates and kept it a solid FUN thing to do and visit daily, you’d have a nice hefty audience of regular readers. And I know for a fact,w hen people are into something as a regular fan, they don’t bat an eyelash if you offer a book for sale or ways to help support your work.
I mean, this is geared mostly at people from the Comic Book crowd… could you imagine how MEGA awesome Savage Dragon would have been if done this way online from the get go? I mean, Savage Dragon was mega awesome anyway with all the work and characters Erik Larsen puts into his issues– but that’s just an example of how one guy created his giant world of characters, and he has a nice core fanbase as well. He did it all without the net… imagine what it would have been like NOW. Holy cow. Of course, such an effort might take more than one artist handling chores—and I honestly believe that creators can find this much more fulfilling knowing that they’re making money from something they’re putting out, beyond knowing that people come there every day to dig on their work.
– And that’s year one. (also, year one doesnt start the minute you think of doing it– year one has to start at DAY one of you launch.
If you think one year is a long time… you’d best take a look at webcomics that have been around for almost a decade already, and take notice. Because other BIG smart companies ARE.